Factor Chandelier Saskatoon, Saskatchewan
Factor Chandelier's production combines smooth melodic moods and live instruments over immaculate drums put together seemingly effortlessly to create a distinct sound of his own and it's for this reason he's consistently banging out one-of-a-kind beats as one of underground music’s favourite producers. Factor continues to make waves with his innovative sound. ... more
If you like Factor Chandelier, you may also like:
DUO
by Onry Ozzborn
supported by 9 fans who also own “Club Soda Series 2”
I was slow to discover you though I'm a huge fake four fan! I've now played catch up on you and Grayskul and I'm a convert. This album is near-perfect! Thanks.
go to album
Scott Free... Red Handed
by Nolto & Factor
supported by 7 fans who also own “Club Soda Series 2”
An album that only gets better with each listen. Each track gives tidbits of exposition and viewpoints until you can see a cohesive, heartbreaking whole by the end. After hundreds of repeats, it's become my favorite album of all time.
go to album
7 Vessels
by Kay The Aquanaut
supported by 6 fans who also own “Club Soda Series 2”
First off shout out to Factor Chandelier because these are dope beats. Producers (and DJs) never get the credit they deserve as the "backbone of hip-hop". But this is about the lyrics and they are fucking sick. Sometimes a bit twisted. Fantastic. American Expre$$ in particular is a standout. It's an Econ 101 lesson to Corporate America. Or maybe a statement that simply says "your greed dug your own graves and here's what I think about you". Well said indeed.
go to album
Leavings
by Tay Sean
featured on Bandcamp Radio Aug 2, 2016
go to album
Death Ain't That Bad
by Heno.
featured on Bandcamp Radio Apr 23, 2021
go to album
EP2!
by JPEGMAFIA
JPEGMAFIA follows November's EP! with this aptly titled release that explores distrust, anguish, and mental health.
go to album
The Odds of Free Will
by Sixo
supported by 6 fans who also own “Club Soda Series 2”
Jesus what an absolutely stunning collection of hip-hop. If I have to be a dick, this album is more of a mix tape in style, the aesthetics of each song is just so different, there's a certain level of narrative disconnect. That said, the actual songs themselves are fucking ill. Packed with dope features, each one matched with Scott's production makes for a genuinely rewarding listen. Rest easy man, you'll be missed.
go to album
